Entertainment

Disney+ series ‘Light & Magic’ shows how future ‘Heroes’ star Masi Oka helped make ‘The Perfect Storm’


When most artists talk about their first jobs, it is something like taking orders at Bubba Gump Shrimp Company. But Masi Oka, star of Hero And Hawaii 5-0, must have one of the coolest concerts to the right of the college on his CV.

As we have been reminded when we look at season 2 of Light and magicThe Disney + Docuseries on the Special Effects Society based on George Lucas Industrial Light & Magic, Young Oka graduated from Brown University with a diploma in computer science and mathematics, then left Rhode Island for California to work in the cutting -edge film cinematographic emporium.

He also arrived at the right time. The group rolled up their sleeves for the Star Wars prequal, as well as the creation of new technologies for films like Tornado And Galaxy Quest. His first major work was as a digital artist in the adventure of Wolfgang Petersen The perfect storm – The biggest “How are they going to do that?” Image in Hollywood at the time.

Masi Oka at the first of “Spies in Disguise” in 2019.

Matt Winkelmeyer / Getty


Speaking with director Joe Johnston, Oka explained that the two most difficult things to simulate digitally at the time were human skin and water.

“How do you model water?” He asked. “Everything is viscous and changing and natural. You look and the temperature, everything affects water. We have to find a way to translate this into a digital world. It was my first big work.”

The young man quickly made a name for ilm when he entered work one day, as others described, a thick pile of papers. All this programming jargon explained how they could start making the heavy computer rendering on shots in effect about 10 times faster.

“We were creating a new technology to digitally walnut George Clooney,” he said about these days adventures. But that did not mean that things move quickly.

Cutting old video images of huge computer databases with names like “Jabba”, “Ewok” and “Luke”, Oka explained that small waves were not so difficult – it is only a million particles that had to be simulated. But the giant waves? It was more delicate.

“Sometimes it takes three days to make a frame-90 days to get a second of waves, and you can’t go wrong,” he said.

George Clooney having a difficult period in “The Perfect Storm”.

Ilm / Warner Bros.


The proof is still up there on the screen. Although 25 years, the effects of plans of Andrea Gail Splashes in the North Atlantic seemed damn real in the Light and magic Clips. (Are we morons to never really think about how this film was made in the first place, and we just thought they used a large tank? Yeah, we assume like this.)

Oka continued his work at ILM in the mid -2000s, wrapping his digital sleeves for projects like Terminator 3: Rise of the Machines,, World warAnd Pirates of the Caribbean: breast of the dead man. Along the way, he continued to book actor concerts, as on Scrubs And Reno 911!

Oh no! Someone protects George Clooney from all this water generated by computer.

Claudette Barius / Warner Bros.


Finally, however, came the role of Hiro Nakamura on HeroThis led to a final change in careers.

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If it’s been a while since you’ve seen George Clooney Bark “This is where the fish are!” Take another look at the The perfect storm Trailer – loaded with Masi Oka water particles – below.

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