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- Superman Delivered with two post-key scenes. This is what they involve.
- The writer / director James Gunn, also co-chief of DC Studios, explains his philosophy around the post-key scenes of the DCU.
- Gunn talks about the lessons learned from his time in Marvel.
Warning: this article contains spoilers of Superman.
Yes, Superman Has a post-key scene. Two, in fact. One around average credits and a second at the very end. The star scenes tease anything exactly or set up future DC projects, and that’s how the editor / director / studio chief James Gunn wants it.
The Mi-Credits scene only flows for a few seconds and shows Superman (David Corenswet) sitting on the moon with Krypto in his arms, looking at the earth. There is a meaning behind. It is a recreation of a scene of All-Star SupermanThe comic strip written by Grant Morrison and designed by Frank Quitly, who turned out to be strongly influential on Gunn during the writing of this film.
It is also a variation in the first Warner Bros. And DC studios never left Krypto The Super Dog in the film.
The real Superman The post-key scene is lighter. The Bit sees Monsieur formidable (Edi Gathegi) frustrated by the steel man for having stressed that a Metropolis building looks like. The whole city was divided into two by a rift flowing from the Lex Luthor portal (Nicholas Hoult), and when it was closed, all these cracked buildings were in random mash. So, yes, it is not such a transparent solution.
Jessica Miglio
In a previous interview with Weekly entertainmentGunn, who co-produces DC studios with Peter Safran, explained his philosophy around post-key scenes and how they will operate largely in the franchise. “It is somewhat linked to my own mistakes in my time with Marvel,” he said.
The filmmaker, who previously produced the Galaxy goalkeepers Films for Disney’s Marvel Studios, underlined the comments he gave on the script for Avengers: end of game. This 2019 film ended with the Thor of Chris Hemsworth joining the Guardians crew on the Milano ship.
“I said in the script notes:” I’m not going to put it. I don’t want to have Thor in the guards. I don’t want to make a film with Thor “”, remembers Gunn. “I don’t understand the character as much. I love watching his films, and I like Chris Hemsworth as guys. I don’t understand how to write this character.”
On a similar note, he underlined the scene of final credits of Guardians of the Galaxy, vol. 2 (2017), who raised the arrival of the character of Marvel Comics Adam Warlock. Will Poulter would eventually play the role in Flight. 3 (2023).
Jessica Miglio / Warner Bros / DC Studios
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“The way a post-key scene works is a punch in the face, like:” Oh my god! Look at that. “As you only use it to configure something, sometimes you are jostling yourself,” said Gunn. “It was not easy to work Adam Warlock in Goalkeepers 3. I loved working with Will, and I liked to deal with the character, but at the end of the day, was he in a way installed a strange ankle in a round hole? A little, yes. “”
For SupermanGunn compared the post-key scene more to Howard Le Canard revealed at the end of the first Galaxy goalkeepers (2014), something that was purely fun for the public. This does not mean that future DCU projects will not have post-key scenes that configured other films or programs more directly. Gunn said it could happen, but only if “it really works, really”.
Superman Now play in theaters.
