Wes Anderson and Owen Wilson’s first project ‘Bottle Rocket’ was initially like a Scorsese film

Most cinema lovers know that Owen Wilson and Wes Anderson are friends, but not everyone knows they met to the college. (Owen Wilson and Luke Wilson, of course, met even earlier!) But it was in a dormitory at the University of Texas in Austin (“Hook ‘Em, Horns!”)) Where the two young guys started to conspire to make films together.

Wilson, currently seen on the Apple TV + Golf comedy StickArrested by Siriusxm Watch today The radio for a schmooze with Dylan Dreyer, and spoke a little of his first cycle years.

In addition to explaining how his follows Anderson refused to change rooms in the second half of when he had previously agreed, Wilson gave an overview of his first collaboration, which ultimately became the feature film Bottle rocket.

“We started writing together then,” he said about the old days. “And started Bottle rocket. And at the beginning, there was a kind of different feeling of what it ended up being. It was more a kind of [Martin] Type Scorse, a kind of crime, a cool story. “”

He continued: “And then we realized that it was not necessarily in our wheelhouse, it was not our experience. And so that changed what Bottle rocket has become, which was more comical. “”

Anderson Bottle rocket Is, if you want to become a technical, a criminal film. Owen and Luke Wilson play two best friends, Dignan and Anthony, who, in fact, steal things and have aspirations for larger criminal companies. But they take things slowly – for example, the first robbery of “practice” is to steal things at Anthony’s house. And only things on a specific list. After that, they hit a bookstore, and not particularly effectively. In other words, he has none of the dark and upset texture of Goodfellas,, CasinoOr The Irishman.

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Bottle rocket Has started her life as a 13 -minute short film shot in black and white, which is essentially a compressed version of the first act of the film. The boys of local Texas obtained it before an actor, writer, producer, storytelling named LM Kit Carson, who was a legendary figure in independent cinema that shell Paris, Texas And was once married to Karen Black. Carson obtained the short circuit of the Film Sundance festival in 1993. His energetic editing and his pointed dialogue impressed producer James L. Brooks, whose credits go back to The Mary Tyler Moore show.

Brooks has become a first mentor for Anderson and Wilson. He helped get Bottle rocket extended to a feature film and in theaters in 1996 where … It did not exactly light the box office on fire. But enough good people saw him to recognize that Anderson was a visionary.

(Brooks also initially threw Wilson in a part of his next film, The Jack Nicholson-Dirigé As good as thatBut he was finally excised. If you consult IMDB, however, you will see that Wilson has an associated producer credit on this film.)

Wilson and Anderson continued to collaborate on the scenarios after Bottle rocket. Their next project was Rushmore And after that came The Royal TenenbaumsWhat would be most suitable is where Anderson’s extremely particular and tedious style has really flourished (and increases only with each new image.)

Wilson has laid down the pen since then, with Roman Coppola now the most frequent scriptwriter of Anderson, but he continued to work in most of the films of his former roommate since.

As for Scorsese, he was a first champion of Anderson’s films, and the two appeared on panels of the film industry several times over the years.

Here is a Wilson clip appearing on the TODAY broadcast.